By
The Pull of Pictorial Significance
Johannes Meinhardt
Translation from German by J.W. Gabriel
[…]The situation of painting has become difficult, and confusing into the bargain. By weaving highly diverse, contradictory categories and modes of perception, of objective, abstract, expressive and “realistic” painting, into open networks, Olaf Quantius creates works that no longer enable simple perception, but instead involve the viewer’s eye and mind in insoluble contradictions and exert an enormous pull of significance; he creates paintings of a complexity that provides the viewer with a remarkable experience of intensity. Anyone who is receptive to the many potential modes of perception in play on the one hand, and to the allusions and references in the art on the other, is forced or tempted to devote the highest possible concentration to the diverse, contradictory, significant aspects and moments of the painting, and as a result gains a sense of heightened consciousness and an expanded awareness of self and presence in the world.